Rema Ghuloum
About This Site

• Info
• Inquiries/ Instagram
• News and Forthcoming Exhibitions
• CV
• Press, Interviews
• Links and Affiliations

• Painting
• 2024
• 2022-2023
• 4 is a Rainbow Line, 2023
• Inviting the Bell, 2022
• Frequencies, 2022
• 2022 Paintings
• Last Light, 2022
• 2021 Paintings
• After Night, 2020
• 2020 Paintings
• Pink Sky, Red Sea, 2019
• 2019
• Love is a Feeling, 2019
• The Sun Appeared White and Without its Rays
• 2018
• 2017
• 2016
• 2015
• 2014
• Barn Paintings, Works on Paper 2012
• Studio- November, 2010
• White Light, Black Light, 2010
• Constructions from paintings and vice versa
• Studio – blue light, 2010
• Still Life as Abstraction, 2009 –10
• Pile of Time, 2008 – 2010
• The Function of Memory, 2009

• Works on Paper
• Sun Drawings
• Ether Drawings, 4-8-2020 – present
• Ether Drawings, 2019
• Nigh Drawings, 2019 – 2020
• Spell, 2019
• Sky Drawings, 2018
• Death Drawings, 2015
• Float, Shadow, Window, 2014
• Edges, Wall, Shadow, 2013
• Untitled (from Mission), 2011

• Painting/ Sculpture Installation
• Pink Sky, Red Sea
• Love is a Feeling
• The Sun Appeared White and Without its Rays
• A Sky With Edges
• H.A.U.N.T., 2013
• The Familiar Unfamiliar, 2013
• Shrine/Studio–Monet, Monet, Matisse
• Shrine – Studio Fragments, 2011
• In Remembrance of, 2010 – 2011
• MFA Thesis, 2010

• Sculpture
• 2017
• 9 Songs for The Moon, 2017
• 2016
• 28 Pieces in Memory of the Sun 2015
• Painted Constructions, 2009 – 2015

• Flat Files Project: works on paper and painted constructions
• Flatter Painted Constructions, 2010
• Two-Sided Representations, 2010

Copyright 2010

• Built with Indexhibit

These drawings are mediations on different states of being.